My work is a journey through time, memory, and dreams. I create collages using forgotten photographs, fragments of antique books, and delicate cutouts, assembling them into surreal, melancholic compositions. Each piece feels like a whisper from another era, a vision from a dream not yet fully remembered.

I am drawn to vintage imagery, especially from the 19th and early 20th centuries, because it holds a certain mystery—faces frozen in time, longing to tell their stories. I carefully cut and layer these images, blending elements that were never meant to coexist: celestial bodies floating in quiet landscapes, women with flowers blooming from their skin, figures dissolving into mist.

My aesthetic is influenced by Victorian symbolism, gothic romance, and the surrealist tradition, but above all, it is guided by intuition. I let the images lead me, allowing the composition to reveal itself naturally. I often work with monochrome tones, enhancing the feeling of nostalgia, as if each collage were an artifact from another world.

The process is delicate, almost meditative. I spend hours searching for the right elements, cutting them by hand, layering textures to create a sense of depth and mystery. Sometimes, I add subtle distortions—elongated limbs, misplaced eyes, fragmented bodies—to evoke a sense of the uncanny, the space between beauty and the unknown.

Ultimately, my collages are a form of storytelling, an exploration of the invisible connections between the past and the present, between reality and imagination. Each piece is a portal, inviting the viewer to step into a world that is both familiar and otherworldly, delicate yet haunting, ephemeral yet eternal.